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<dc:title xml:lang="it">I folli in cammino : saggio sulle rappresentazioni e i significati della figura del folle nelle letterature dell'Africa nera, francofone e anglofone, dalle indipendenze ai giorni nostri</dc:title>
<dcterms:alternative xml:lang="fr">Les fous en marche : essai sur les représentations et les significations de la figure du fou dans les littératures d'Afrique noire, francophones et anglophones, des indépendances à nos jours</dcterms:alternative>
<dcterms:alternative xml:lang="en">Fools on the way : an essay on the representations and meanings of the madman in Francophone and anglophone Black African Litteratures from Independence to now</dcterms:alternative>
<dc:subject xml:lang="fr">Littérature d'Afrique noire</dc:subject>
<dc:subject xml:lang="fr">Francophonie</dc:subject>
<dc:subject xml:lang="fr">Anglophonie</dc:subject>
<dc:subject xml:lang="fr">Fou</dc:subject>
<dc:subject xml:lang="fr">Folie</dc:subject>
<dc:subject xml:lang="fr">Errance</dc:subject>
<dc:subject xml:lang="fr">Médiation</dc:subject>
<dc:subject xml:lang="fr">Subversion</dc:subject>
<dc:subject xml:lang="en">Literature of black Africa</dc:subject>
<dc:subject xml:lang="en">Francophony</dc:subject>
<dc:subject xml:lang="en">Anglophony</dc:subject>
<dc:subject xml:lang="en">Madman</dc:subject>
<dc:subject xml:lang="en">Fool</dc:subject>
<dc:subject xml:lang="en">Madness</dc:subject>
<dc:subject xml:lang="en">Wandering</dc:subject>
<dc:subject xml:lang="en">Imagery</dc:subject>
<dc:subject xml:lang="en">Mediation</dc:subject>
<dc:subject xml:lang="en">Speech</dc:subject>
<dc:subject xml:lang="en">Subversion</dc:subject>
<dc:subject xml:lang="en">African discourse</dc:subject>
<dc:subject xml:lang="en">Anti-colonialism</dc:subject>
<dc:subject xml:lang="en">Anti-colonial critique</dc:subject>
<dc:subject xml:lang="en">Cultural</dc:subject>
<dc:subject xml:lang="en">Neo-colonialism</dc:subject>
<dc:subject xml:lang="it">Letterature dell’Africa nera</dc:subject>
<dc:subject xml:lang="it">Francofonia</dc:subject>
<dc:subject xml:lang="it">Anglofonia</dc:subject>
<dc:subject xml:lang="it">Folle</dc:subject>
<dc:subject xml:lang="it">Follia</dc:subject>
<dc:subject xml:lang="it">Erranza</dc:subject>
<dc:subject xml:lang="it">Immaginario</dc:subject>
<dc:subject xml:lang="it">Mediazione</dc:subject>
<dc:subject xml:lang="it">Enunciazione</dc:subject>
<dc:subject xml:lang="it">Sovversione</dc:subject>
<dc:subject xml:lang="it">Discorso africano</dc:subject>
<dc:subject xml:lang="it">Anticolonialismo</dc:subject>
<dc:subject xml:lang="it">Critica anticoloniale</dc:subject>
<dc:subject xml:lang="it">Neocolonialismo culturale</dc:subject>
<dc:subject xsi:type="dcterms:DDC">896</dc:subject>
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<tef:elementdEntree autoriteExterne="027236692" autoriteSource="Sudoc">Littérature africaine</tef:elementdEntree>
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<tef:elementdEntree autoriteExterne="027236692" autoriteSource="Sudoc">Littérature africaine</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">La récurrence de la figure du fou errant dans le roman d’Afrique noire suscite bien des questionnements sur les raisons de sa mise en oeuvre dans l’époque tumultueuse des prétendues indépendances. Cette étude couvre un laps de temps allant des années 1950 à la première décennie du nouveau siècle ; et elle inclut les textes narratifs francophones et anglophones en vue de fournir une vue d’ensemble permettant de retracer l’évolution de la représentation du fou d’un point de vue diachronique. L’étude typologique de fous errants précède une analyse du discours dans le texte littéraire focalisée sur trois niveaux : le plan de l’énonciation,celui des techniques romanesques et le plan du langage de l’imaginaire. Il en résulte un dynamisme évoquant l’emprise du fou sur les trois instances du discours, d’où l’hypothèse du fou comme étant une figure de médiation dans les différents domaines de la société : médiateur spirituel et religieux ; interlocuteur intermédiaire avec l’autorité institutionnelle ; et enfin dispositif médian en littérature, aussi bien dans la pratique scripturale que dans l’institution littéraire. Le caractère marginal du fou dans la société et l’élan réformateur qu’il assume à l’époque contemporaine, font de lui un outil cognitif capable de créer un nouveau code littéraire et d’articuler le discours africain en quête d’autonomie. Les mêmes caractéristiques marquent en outre le statut des oeuvres africaines et du romancier dans la situation actuelle.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The recurrence of wandering madmen and fools in the black African novel raises many questions about the reasons behind its implementation during the so-called independences. This study covers a time span ranging from the 1950s to the first decade of 2000. It includes Francophone and Anglophone fiction in order to gain an overview that allows one to observe an evolution in the representation of the fool with a diachronic perspective. The typological study of wandering fools precedes the discourse analysis in the literary texts, focusing on three levels: speech, narrative procedures and imagery. It fallows that the fool’s dynamism recalls his impact on the three modes of discourse. This leads to a hypothesis that he is a figure of mediation in many areas of society, being a spiritual and religious mediator, an intermediary to institutions of authority,and even an intermediary in literature, both in writing and in the literary institution. The social marginalization of the fool and the reformist zeal he takes in contemporary times, make him an instrument of knowledge that can create a new literary code and articulate the African discourse in its quest for autonomy. Moreover, these features mark the social status both of African works and of the novelist in the literary scene.</dcterms:abstract>
<dcterms:abstract xml:lang="it">La ricorrenza della figura del folle in cammino nel romanzo dell’Africa nera suscita numerosi interrogativi sulle ragioni della sua messa in opera nell’epoca turbolenta delle cosiddette indipendenze. Lo studio abbraccia un arco temporale che va dagli anni ’50 al primo decennio del 2000 e comprende la narrativa francofona ed anglofona al fine di ricostruire una panoramica che permetta di tracciare l’evoluzione della rappresentazione del folle sul piano della diacronia. A uno studio tipologico di folli erranti segue l’analisi del discorso nel testo letterario che si focalizza su tre piani: quello dell’enunciazione, quello dei procedimenti narrativi e quello del linguaggio dell’immaginario. Ne risulta un dinamismo che evoca il dominio del folle sulle tre istanze del discorso, da cui l'ipotesi del folle come una figura di mediazione nei diversi ambiti della società : mediatore spirituale e religioso ; interlocutore intermediario con l’autorità istituzionale ; infine strumento mediano in letteratura, tanto nella pratica della scrittura quanto nell’istituzione letteraria. Ilcarattere marginale del folle nella società e lo slancio riformista che egli assume nella contemporaneità, fanno di lui uno strumento conoscitivo in grado di creare un nuovo codice letterario e di articolare il discorso africano in cerca di autonomia. Le stesse caratteristiche segnano lo statuto delle opere africane e del romanziere nello scenario attuale.</dcterms:abstract>
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