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<dc:title xml:lang="fr">La femme, la Cour et les arts chez Brantôme</dc:title>
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<dc:subject xml:lang="fr">Brantôme</dc:subject>
<dc:subject xml:lang="fr">Dames illustres</dc:subject>
<dc:subject xml:lang="fr">Littérature française du XVIe siècle</dc:subject>
<dc:subject xml:lang="fr">Femme</dc:subject>
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<dc:subject xml:lang="en">Brantôme</dc:subject>
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<dc:subject xml:lang="en">16th century French Literature</dc:subject>
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<tef:elementdEntree autoriteExterne="03040620X" autoriteSource="Sudoc">Brantôme, Pierre de Bourdeille (1540?-1614 ; seigneur de)</tef:elementdEntree>
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<tef:elementdEntree autoriteExterne="028204999" autoriteSource="Sudoc">Femmes -- Dans la littérature</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Homme d’épée et courtisan de la Renaissance, Brantôme livre au sein des 'Dames illustres' une image de la femme, de la Cour et des arts sous le signe de jeux de contrastes. Décrits à travers le prisme de leurs vertus et de leurs vices, les personnages apparaissent à la fois sombres et lumineux. Si l’auteur se concentre sur ses modèles de premier plan, pour autant il n’oublie pas de les camper sur le fond historique, social et culturel de leur époque. Les Cours étrangères y côtoient ainsi la Cour de France, « vray Paradis du monde ». Certes enchanté par l’éclat et la magnificence de ces univers, Brantôme laisse également entrevoir une facette plus inquiétante, marquée par les jeux de pouvoir, l’hypocrisie et la phallocratie. Enfin, les tableaux littéraires s’enrichissent d’une dimension artistique, tant au moyen des descriptions minutieuses de ses différentes expressions que dans l’art d’écrire brantomien que nous proposons ici de redécouvrir.</dcterms:abstract>
<dcterms:abstract xml:lang="en">Brantôme, nobleman and Renaissance courtier, uses contrast skilfully in 'Dames Illustres' to paint a rich picture of women, the Court and the Arts. Described through the prism of their virtues and vices, the characters appear both dark and light. Although the author concentrates on his subjects in the foreground, he nonetheless also places them firmly in the historical, social and cultural context of their time. So here he shows foreign Courts encountering the French Court, “vray Paradis du monde”. Brantôme is fascinated by the brilliance and magnificence of these worlds but he also gives a glimpse of the more disturbing aspect of power struggles, hypocrisy and male supremacy. Finally, his literary depictions are made more vivid by an artistic dimension, multi-layered and detailed descriptions and Brantôme’s unique style of writing. This is what will be rediscovered here.</dcterms:abstract>
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