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<dc:title xml:lang="fr">Les représentations de cavaliers en Egypte ptolémaïque et impériale et l'influence des imageries étrangères</dc:title>
<dcterms:alternative xml:lang="en">The representations of riders in Egypt at the Ptolemaic and Roman times and the influence of foreign iconography</dcterms:alternative>
<dc:subject xml:lang="fr">Égypte</dc:subject>
<dc:subject xml:lang="fr">Antiquité</dc:subject>
<dc:subject xml:lang="fr">Iconographie</dc:subject>
<dc:subject xml:lang="fr">Ptolémaïque</dc:subject>
<dc:subject xml:lang="fr">Impériale</dc:subject>
<dc:subject xml:lang="fr">Cavaliers</dc:subject>
<dc:subject xml:lang="fr">Coroplathie</dc:subject>
<dc:subject xml:lang="fr">Militaire</dc:subject>
<dc:subject xml:lang="en">Egypt</dc:subject>
<dc:subject xml:lang="en">Antiquity</dc:subject>
<dc:subject xml:lang="en">Iconography</dc:subject>
<dc:subject xml:lang="en">Ptolemaic</dc:subject>
<dc:subject xml:lang="en">Impérial</dc:subject>
<dc:subject xml:lang="en">Horseman</dc:subject>
<dc:subject xml:lang="en">Military</dc:subject>
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<tef:elementdEntree autoriteExterne="027222233" autoriteSource="Sudoc">Cavaliers -- Dans l'art</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Aux époques ptolémaïque et impériale, les représentations de cavaliers se multiplient et de nouveaux motifs apparaissent en Égypte. Des divinités du panthéonpharaonique peuvent être dotées d’un cheval et d’attributs militaires. Des dieux étrangers font leur apparition ainsi que des personnages cuirassés et armés dont lanature divine n’est pas avérée. Le présent travail constitue une première monographie sur l’ensemble de ces représentations. Le catalogue comporte cent quarante‐huit objets et présente une hétérogénéité importante, tant du point de vue des supports que des sites d’où proviennent les sources. Axée sur l’interdisciplinarité, la thèse repose sur deux approches, technique et iconographique. L’étude du mode de fabrication des figurines en terre cuite et les réflexions sur la question de la mise en série des objets constituent le premier champ de recherches. L’axe iconographique repose sur la comparaison systématique des motifs iconographiques avec les emblèmes visibles dans le reste du pourtour du bassin méditerranéen et traite de la signification des représentations. La confrontation des données a permis d’établir des hypothèses sur l’origine et la fonction des terres cuites et sur les raisons qui ont mené à la production des objets du corpus.Des critères de datation nouveaux ont été définis pour tenter de pallier les lacunes dues à l’absence de contexte de la majorité des sources du catalogue. Les travaux effectués dans les musées ont permis de publier des reproductions de qualité pour des objets qui pour certains n’avaient plus été observés depuis 1915. Ils ont également donné lieu à la découverte d’inédits.</dcterms:abstract>
<dcterms:abstract xml:lang="en">During the Ptolemaic and Imperial times in Egypt we find increasing representations of horsemen, and new emblems start to appear. Divinities of the Pharaonic pantheon are sometimes endowed with a horse and military attributes. Foreign gods also begin to appear, as do cuirassed and armed characters, whose divinity is unproven. This study is a first attempt to produce a monograph encompassing all of these representations. The catalogue contains 148 objects and has a significant degree of heterogeneity, both with regard to the items themselves and to the sites from which they come from. With a strongly interdisciplinary approach, the thesis is based on two methods of investigation: the technical and the iconographic. The first area of researches comprises an examination of the method of manufacture of the terracotta figurines and some thoughts regarding the series production of the objects. The iconographic approach is based on a systematic comparison of the iconographic attributes with the emblems that can be seen around the rest of the Mediterranean, and considers the significance of these representations. By comparing data, it has been possible to make assumptions regarding the origin and purpose of the terracotta figurines, and the reasons which led to the production of the objects comprising the study. New dating criteria have been defined in an effort to bridge the gaps caused by the lack of context for the majority of sources listed in the catalogue. Work done in the museums has allowed the creation of high‐quality reproductions of the objects, some of which were last examined in 1915; it has also resulted in the discovery of previously unpublished material.</dcterms:abstract>
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