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<dc:title xml:lang="fr">La Tenture de la Dame à la licorne : la figure féminine au service de l'image masculine</dc:title>
<dcterms:alternative xml:lang="en">The Lady and the Unicorn Tapestries : Feminine figures at the service of the masculine image</dcterms:alternative>
<dc:subject xml:lang="fr">Tapisserie</dc:subject>
<dc:subject xml:lang="fr">La Dame à la licorne</dc:subject>
<dc:subject xml:lang="fr">Noblesse de robe</dc:subject>
<dc:subject xml:lang="fr">Représentation de la femme</dc:subject>
<dc:subject xml:lang="fr">Noblesse – France – XVe siècle -- représentation</dc:subject>
<dc:subject xml:lang="fr">Iconographie</dc:subject>
<dc:subject xml:lang="fr">Littérature politique – France – XVe siècle</dc:subject>
<dc:subject xml:lang="fr">Littérature didactique pour femmes – France -- XVe siècle</dc:subject>
<dc:subject xml:lang="en">Tapestry</dc:subject>
<dc:subject xml:lang="en">Lady and the Unicorn</dc:subject>
<dc:subject xml:lang="en">Noblesse de robe</dc:subject>
<dc:subject xml:lang="en">Representation of women</dc:subject>
<dc:subject xml:lang="en">Nobility -- France -- 15th century -- representation</dc:subject>
<dc:subject xml:lang="en">Iconography</dc:subject>
<dc:subject xml:lang="en">Political literature – France – 15th century</dc:subject>
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<tef:elementdEntree autoriteExterne="02735444X" autoriteSource="Sudoc">Sens et sensations</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">La tenture de la 'Dame à la licorne' est le plus souvent interprétée comme une allégorie des sens physiques, mais son iconographie se distingue par le registre héraldique. Chaque composition s’organise tel un emblème héraldique de sorte que les personnages principaux remplacent l’écu tant du point de vue visuel que fonctionnel. Si cette tenture est fréquemment citée comme un monument à la réussite socioprofessionnel du commanditaire, on n’a jamais cherché à comprendre comment le registre scénique contribue à la représentation du commanditaire. Autre lacune dans le corpus de littérature, l’importance de la figure féminine dans cette image est restée jusqu’alors ignorée. La présente étude propose donc d’étudier la 'Dame à la licorne' et sa fonction représentative en analysant les traditions culturelles, littéraires et iconographiques, ainsi que les réalités sociohistoriques, qui sous-tendent l’image d’excellence sociale que le commanditaire souhaite rattacher à sa personne et à sa famille.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The 'Lady and the Unicorn' tapestries are most often interpreted as an allegory of the physical senses, but their iconography is remarkable for its integration of armorial elements. Each composition is organized like a heraldic emblem, such that the main figures replace the coat-of-arms in its position and its function. Though this work is frequently identified as a monument to the patron’s socio-professional success, no effort has been made to understand how the scenes contribute to his personal representation. The lack of interest for the decidedly female character of this iconographic programme is another weakness in previous studies of these tapestries. This doctoral dissertation proposes to examine the 'Lady and the Unicorn' and its representative function by analysing the cultural, literary and iconographic traditions, as well as the socio-historic realities, that shape the image of social excellence the patron constructs in order to represent himself and his family.</dcterms:abstract>
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