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<dc:title xml:lang="fr">La Phèdre de Sénèque : approche dramaturgique et philosophique</dc:title>
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<dcterms:abstract xml:lang="fr">La Phèdre de Sénèque. Approche philosophique et dramaturgique. Le sujet ainsi défini s'articule autour de trois centres d'intérêts majeurs. Il importe d’abord, d’analyser la genèse proche et lointaine du mythe de Phèdre. Il convient ensuite de mettre en évidence l’art dramaturgique de Sénèque ; enfin, c'est à travers la confrontation de deux visions antithétiques du monde (la parole épicurienne telle qu’elle est exprimée par la Nourrice et la vision stoïcienne de l'univers incarné par le personnage d’Hippolyte), ainsi que par l’insistance sur la dialectique des passions qui animent tour à tour chacun des protagonistes, qu’on dégagera les fondements mêmes de la lecture philosophique que propose Sénèque de sa Phaedra.</dcterms:abstract>
<dcterms:abstract xml:lang="en">Phaedra of Seneca : dramaturgical and philosophical approach. This defined subject is divided into three important parties : First, we will analyze the near and the distant genesis of the myth of Phaedra. Then, it will be suitable to put in light the dramaturgical art of Seneca ; finally, it’s through the confrontation of two antithetical visions of the world (the epicurean speech is expressed by the nurse and the stoic vision of the universe incarnated in the Hippolytus persona) and also by the insistence of the dialectic of passions that animate every one of the protagonists that we can even draw the foundations of the philosophical ideas that has been proposed to us by Seneca in Phaedra.</dcterms:abstract>
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