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<dc:title xml:lang="fr">La politique culturelle française du Brésil de 1945 à 1970 : institutions, acteurs, moyens et enjeux</dc:title>
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<dc:subject xml:lang="fr">Relations internationales</dc:subject>
<dc:subject xml:lang="fr">Relations France Brésil</dc:subject>
<dc:subject xml:lang="fr">Politique culturelle internationale</dc:subject>
<dc:subject xml:lang="fr">Échanges culturels</dc:subject>
<dc:subject xml:lang="fr">Politique contemporaine</dc:subject>
<dc:subject xml:lang="fr">Diplomatie culturelle</dc:subject>
<dc:subject xml:lang="fr">Histoire contemporaine</dc:subject>
<dc:subject xml:lang="fr">Europe-Amérique latine</dc:subject>
<dc:subject xml:lang="en">International relationship</dc:subject>
<dc:subject xml:lang="en">Relationship France Brazil</dc:subject>
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<dcterms:abstract xml:lang="fr">C’est dans le contexte de l’accentuation des disputes entre les empires européens, qu'afin de préserver son empire et d’augmenter son pouvoir politique et économique dans le monde, la France inaugure sa politique culturelle internationale durant l’ultime quart du XIXe siècle. Toutefois, c’est surtout à partir de la dernière année de la Seconde Guerre mondiale que nous constatons une politique culturelle internationale plus pragmatique et une constante augmentation du budget, utilisé par le ministère des Affaires étrangères, pour le rayonnement de la culture française dans le monde. Au Brésil, entre 1945 et les années 1970, cet effort se traduit par la mise en place, par la diplomatie français sur place et au Quai d’Orsay, de stratégies visant à étendre la présence culturelle française sur tout le territoire national (avant la guerre les éléments culturels français sont, de façon disproportionnée, concentrés dans l’axe Rio de Janeiro - São Paulo) et à tous les groupes sociaux (avant 1945 la culture française ne touche pratiquement que l’élite brésilienne).</dcterms:abstract>
<dcterms:abstract xml:lang="en">In the context of heightened disputes among European empires, France launches its international cultural policy during the last quarter of the 19th century to preserve its empire and increase its political and economic power in the world. However, it is from the last year of World War II that the French Ministry of Foreign Affairs uses a more pragmatic policy for international cultural affairs, which includes an increasing budget, to influence French culture in the world. At the Quai d’Orsay, and in Brazil, the French diplomatic effort between 1945 and the 1970s results in established strategies to extend the French cultural presence throughout the national territory and all social groups of Brazil. Before the war, French cultural elements are disproportionately concentrated in the axis Rio de Janeiro–São Paulo; before 1945, French culture influences mostly the Brazilian elite.</dcterms:abstract>
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