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<dc:title xml:lang="fr">La Statue dans la ville : littératures européennes, russes et américaines à la rencontre des monuments (XIXe - XXIe siècles).</dc:title>
<dcterms:alternative xml:lang="en">Statues in cities : European, Russian and American literatures encountering monuments (19th-20th centuries)</dcterms:alternative>
<dc:subject xml:lang="fr">Monument</dc:subject>
<dc:subject xml:lang="fr">Sculpture</dc:subject>
<dc:subject xml:lang="fr">Statue</dc:subject>
<dc:subject xml:lang="fr">Poésie</dc:subject>
<dc:subject xml:lang="fr">Efficace</dc:subject>
<dc:subject xml:lang="fr">Héroïsme</dc:subject>
<dc:subject xml:lang="fr">Représentations de l’histoire</dc:subject>
<dc:subject xml:lang="fr">Iconoclasme</dc:subject>
<dc:subject xml:lang="en">Monument</dc:subject>
<dc:subject xml:lang="en">Sculpture</dc:subject>
<dc:subject xml:lang="en">Statue</dc:subject>
<dc:subject xml:lang="en">Poetry</dc:subject>
<dc:subject xml:lang="en">Effective</dc:subject>
<dc:subject xml:lang="en">Heroism</dc:subject>
<dc:subject xml:lang="en">Representations of the history</dc:subject>
<dc:subject xml:lang="en">Iconoclasm</dc:subject>
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<dcterms:abstract xml:lang="fr">Traversant un ample corpus textuel rédigé en de nombreuses langues, ce travail interroge les rapports peu explorés entre littérature et sculpture, à partir d’un objet, le monument, « fait social total » mêlant enjeux politiques, idéologiques, religieux et esthétiques. Dispositif autoritaire, le monument exerce une efficace pour dominer et transformer celui qui le rencontre. La littérature accompagne, s’approprie, contre au moyen de stratégies d’iconoclasme textuel, dévoie, et renouvelle les actes accomplis par les monuments : glorifier les héros, signifier l’histoire, édifier la société, répondre à la détresse. Dans l’épreuve du réel, le monument se montre pourtant incapable de tenir ces promesses exorbitantes. La littérature l’en délie et l’allège via l’ouverture d’une finitude et d’une compassion. Le monument est réinventé jusqu’à devenir le lieu d’une nouvelle magie ou d’un élan vers le sacré. La littérature rend ainsi un dispositif monosémique à un pluriel des significations.</dcterms:abstract>
<dcterms:abstract xml:lang="en">Bringing together a broad corpus of texts written in many different languages, this dissertation explores the intersections between literature and sculpture. The starting point is the monument, an object that stands as a “social total fact”, condensing politics, ideologies, religion and aesthetics. Literature can help monuments to alter their beholders, to glorify heroes, to signify history, to build up and edify society, or to respond to distress. More often, it appropriates, subverts or debunks those acts via strategies of “textual iconoclasm”, proving that monuments cannot withstand the test of reality and fail to keep their promises. Literature aims therefore at renewing monuments, making them lighter by opening them to compassion and finitude. Thus recreated, statues in cities can point the beholders towards the sacred, or accommodate magic. Literature manages so to reinvent a polysemy around devices designed to hold an authority, and that were supposed to reinforce a monosemy.</dcterms:abstract>
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