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<dc:title xml:lang="fr">Feux d'artifices de bons sentiments : transformer l'incoercible confrontation entre démocratisation de la culture et démocratie culturelle afin de définir des complexes artistiques : mais... qu'est ce que l'art ?</dc:title>
<dcterms:alternative xml:lang="en">Good feelings in firework : transforming the intractable opposition between democratization of culture and cultural democraty to define artistic complex : so... what is art?</dcterms:alternative>
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<dc:subject xml:lang="fr">Culture</dc:subject>
<dc:subject xml:lang="fr">Politique culturelle</dc:subject>
<dc:subject xml:lang="fr">Catégorisation</dc:subject>
<dc:subject xml:lang="fr">Utopie</dc:subject>
<dc:subject xml:lang="en">Arts</dc:subject>
<dc:subject xml:lang="en">Culture</dc:subject>
<dc:subject xml:lang="en">Cultural policy</dc:subject>
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<dc:subject xml:lang="en">Utopia</dc:subject>
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<tef:elementdEntree autoriteExterne="027224929" autoriteSource="Sudoc">Diffusion de la culture</tef:elementdEntree>
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<tef:elementdEntree autoriteExterne="126936846" autoriteSource="Sudoc">Démocratisation de la culture</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Après avoir partagé les politiques culturelles majoritairement actives en trois modèles et modes afin dedéfinir ce qu'est La Culture, je travaille à une catégorisation de l'objet de vulgarisation de cette Culture, à savoir l'Art, et à une cartographie de son ou ses sujets, à savoir le spectateur et sa place, pour finalement essayer de proposer un mode d'action culturelle nommé non plus politique culturelle mais politique artistique. De La Critique à La Critique de la Critique de la Critique, en passant par La Critique de la Critique, je cherche à sortir de la confortable définition polysémique régnant sur le territoire culturel et à la Tour des Arts, et ce dans le projet utopique de transfiguration de leurs architectures.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The Great Culture and the Great Public as mythical as Alexander or From the art of taking distance. What is art ? Verfremdung → to make stranger. While cultural exhibition tends to be events that are most often apprehended through their relation to the Great Public – sometimes legitimating, sometimes repulsive,sometimes motive and often simultaneously recipient, adjuvant, opponent, expected, persona non grata andalmost always juge-baromètre arpenteur, supposedly outside of concern of that event – we will try to bringout from these different policies (that pay close attention to numerical parameters) the complicities and contradictions between artistic/cultural practices and democratic practice. Can we still bet on subvertissant power of cultural production as ideological enhancer and democratical antioxidant whereas the culturallandscape seems to be shaped by a festivisation oxymoronique, a nivellement-exacerbant ?</dcterms:abstract>
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