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<dc:title xml:lang="fr">Ethique, esthétique et métaphysique dans l'œuvre de maturité de l'écrivain autrichien Hugo von Hofmannsthal</dc:title>
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<dc:subject xml:lang="fr">Hugo von Hofmannsthal</dc:subject>
<dc:subject xml:lang="fr">Autriche-Hongrie</dc:subject>
<dc:subject xml:lang="fr">Autriche 1918-1933</dc:subject>
<dc:subject xml:lang="fr">Morale dans la littérature</dc:subject>
<dc:subject xml:lang="fr">Aspects religieux dans la littérature</dc:subject>
<dc:subject xml:lang="fr">Esthétique dans le théâtre</dc:subject>
<dc:subject xml:lang="fr">Salzburger Festpiele</dc:subject>
<dc:subject xml:lang="fr">Identité collective des pays de langue allemande</dc:subject>
<dc:subject xml:lang="en">Hugo von Hofmannsthal</dc:subject>
<dc:subject xml:lang="en">Austria</dc:subject>
<dc:subject xml:lang="en">Ethics in Literature</dc:subject>
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<dc:subject xml:lang="en">Austria 1918-1933</dc:subject>
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<dcterms:abstract xml:lang="fr">L'objet de cette thèse est de mettre en lumière les interrogations éthiques, métaphysiques et esthétiques qui accompagnent la production des œuvres de maturité de !'écrivain autrichien Hugo von Hofmannsthal. Après avoir rappelé ses hésitations initiales entre des conceptions du monde et de l'existence distinctes, ce travail envisage les deux versions de la Femme sans ombre. Cette œuvre offre une première expression de son esthétique de maturité dont elle éclaire aussi les fondements métaphysiques. L'expérience de la Première Guerre mondiale, analysée dans le troisième chapitre, conduit Hofmannsthal à élargir le champ de ses réflexions. Son œuvre dramatique devient l'illustration des principes éthiques devant régler les échanges entre les membres d'une même société ainsi qu'entre les peuples d'Europe. Le Grand Théâtre du monde à Salzbourg, dont l'examen occupe le quatrième chapitre, pose les linéaments d'une éthique sociale inspirée des principes de la doctrine sociale de l’Église. La tragédie La Tour, qui est analysée dans le cinquième chapitre, esquisse quant à elle une éthique de l'action politique. Son but est de contribuer au maintien de la paix en Europe tout en aidant les peuples à s'élever à un degré supérieur d'humanité.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This thesis aims at highlighting the ethical, metaphysical and aesthetic questions that arise in the mature works of the Austrian author Hugo von Hofmannsthal. After having dealt with Hofmannsthal's original dilemma between opposing conceptions of the world and of his own existence, this work considers the two versions of The Woman without a Shadow. This opus is the first expression at maturity of his aesthetic whose underlying metaphysical foundation it enlightens.The experience of First World War, subject of our third chapter, compelled Hofmannsthal to widen the scope of his thoughts. His later plays illustrate which ethical conducts should rule individuals in a given society as well as between the peoples in Europe. The Salzburg Great World Theaterwhich is the focus of our fourth chapter, sets the pattern of his social ethics inspired by the principles of the social doctrine of the Church. As for The Tower, a tragedy which we will deeply analyse in our fifth chapter, it sketches his ethics for political action. The purpose of this play is indeed to advocate peace in Europe while helping nations to achieve higher standard of Humanity.</dcterms:abstract>
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