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<dc:title xml:lang="fr">Projection numérique au cinéma : les nouvelles modalités de consommation des films art et essais (les cinémas Utopia / vidéo en poche)</dc:title>
<dcterms:alternative xml:lang="en">Digital projection in cinemas : new patterns of consumption of films Art house (Utopia Cinemas / Video Pocket)</dcterms:alternative>
<dc:subject xml:lang="fr">Cinéma</dc:subject>
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<dc:subject xml:lang="fr">Projection numérique</dc:subject>
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<dc:subject xml:lang="fr">Réception</dc:subject>
<dc:subject xml:lang="en">Cinema</dc:subject>
<dc:subject xml:lang="en">Movie cinema</dc:subject>
<dc:subject xml:lang="en">Halls</dc:subject>
<dc:subject xml:lang="en">Art and essay</dc:subject>
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<dcterms:abstract xml:lang="fr">Ce travail de recherche consiste à analyser et à restituer les principaux faits qui illustrent les changements provoqués par le numérique dans les industries culturelles et les pratiques du cinéma Art et Essai en particulier. A l’ère de la projection numérique, les salles de cinéma vivent une véritable révolution technologique. Cette dernière induit un changement dans les modes de consommation et d’accès à la culture. L’analyse des salles de cinéma Utopia et le concept « vidéo en poche » témoigne d’un nouveau usage des biens culturels à l’ère de l’économie numérique.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The present research sets out to study and scrutinise the key facts that illustrate the change in conditions caused by digital cultural industries and practice of the art of cinema and particularly the essay. In the era of digital projection, cinema halls are facing a true technological revolution. The latter induces a change in the consumption patterns and the access to culture The analysis of Utopia cinema halls and the video-in-pocket concept tell us a lot about this postmodern use of cultural artifacts at the age of digital economy.</dcterms:abstract>
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