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<dc:title xml:lang="en">Representations of the character of the Jew in the Nineteenth-Century French, German and English novel, and the Jewish response</dc:title>
<dcterms:alternative xml:lang="fr">Représentations du personnage du Juif dans le roman français, allemand et anglais du dix-neuvième siècle</dcterms:alternative>
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<dcterms:abstract xml:lang="fr">Cette thèse examine les relations entre la littérature et la Bible à travers trois personnages mythiques qui représentent le Juif comme l’Autre, un concept à la fois effrayant et fascinant. Elle explore l’évolution des représentations des personnages juifs ainsi que leurs convergences et divergences dans le roman anglais, allemand et français du dix-neuvième siècle. Présupposant l’existence d’un inconscient collectif commun à toute l’humanité, nous avons démontré, en partie grâce à la mythocritique, que ces personnages juifs rejouent ces trois mythes, dont la présence également dans le domaine de la peinture témoigne de leur vitalité au dix-neuvième siècle. La dernière partie, consacrée à la littérature juive de l’époque en Europe constitue une réponse à ces trois mythes évoqués et met à jour un dialogue constructif entre les auteurs juifs et non juifs, ainsi qu’une introspection respective.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This thesis examines the relations between literature and the Bible through the myth of three characters, who construct the collective of ‘the Jew’ as a dangerous and fascinating Other in the nineteenth-century European mind. It examines the evolution of the representations of these characters, and their convergences and divergences in French, English and German nineteenth-century novels. The mythocritique method, taking into account the collective unconscious, reveals that the chosen characters re-enact three major myths, which demonstrate their vitality, not only in literature and theology, but also in art. A response can be found in comparative Jewish literature to these myths, completing the study and revealing a constructive dialogue and self-examination.</dcterms:abstract>
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