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<dc:title xml:lang="fr">Claude Debussy et l'humour</dc:title>
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<dc:subject xml:lang="fr">Debussy</dc:subject>
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<dcterms:abstract xml:lang="fr">Claude Debussy n’est pas habituellement un compositeur dont on associe la production musicale à l’humour. Il existe pourtant un Debussy humoriste, trop souvent oublié, qu’il est nécessaire de réhabiliter afin d’obtenir une image plus fidèle de son œuvre. Pour comprendre les raisons pour lesquelles on n’a pas, à ce jour, accordé à l’humour de Debussy la place qu’il mérite dans son style et sa production, nous dirigeons nos investigations vers les différents maillons de la relation esthétique à son œuvre, tels que les décrit Jean-Jacques Nattiez : le poïétique et l’esthésique. Il s’agit alors d’observer les facteurs risquant d’amener les différents rouages à se gripper dans la perception et la compréhension du comique musical.</dcterms:abstract>
<dcterms:abstract xml:lang="en">Claude Debussy isn’t a composer whose musical production tends to be associated to humour. However, one must consider and rehabilitate a humorist Debussy, too often forgotten, if one wants to obtain a more faithfull idea of his work. In order to understand the reasons why one has not, until this day, accorded to Debussy’s humour the role it deserved in his style and production, we will investigate the different steps of the aesthetical relation with his work, as described by Jean-Jacques Nattiez: the poïetic and the aesthesic. We shall observe the downside risk that may seize up the mechanism of comic perception and understanding in music.</dcterms:abstract>
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