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<dc:title xml:lang="fr">Les scènes de l'intimité domestique dans les arts figurés en France (1780-1815)</dc:title>
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<dc:subject xml:lang="fr">Portrait</dc:subject>
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<dc:subject xml:lang="fr">Vie privée</dc:subject>
<dc:subject xml:lang="fr">Sentiment</dc:subject>
<dc:subject xml:lang="fr">Émotion</dc:subject>
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<dc:subject xml:lang="en">Private life</dc:subject>
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<dcterms:abstract xml:lang="fr">Cette thèse s’attache à étudier les représentations de la vie intime, réalisées dans des techniques et sur des supports variés (peinture, dessin, gravure), entre 1780 et 1815. À cette période, l’intimité connaît une évolution sémantique et une utilisation plus développée : d’une acception limitée à la définition des liens entre deux individus, progressivement sa signification prend une tournure secrète, et s’étend à tout ce que nous ne dévoilons qu’à un cercle réduit d’individus – qu’il s’agisse du for intérieur, des sentiments affectifs ou encore de la sexualité. Ces changements sémantiques sont accompagnés d’une évolution des pratiques domestiques, culturelles et littéraires qui corroborent l’idée d’une période décisive dans l’histoire de l’intimité. Ce travail analyse ainsi les différentes manières de figurer l’intimité, et interroge en outre la destination et la réception des œuvres, afin de comprendre ce que nous révèle la démonstration de l’intimité sur les mœurs de la société française au tournant du XIXe siècle. L’examen de différents modes de diffusion et d’exposition des images, ainsi que le dépouillement des témoignages écrits offerts par la critique permettent de cerner les goûts du public et d’avoir une idée sur la place qui était accordée à ces images, dans les expositions publiques et dans les collections privées.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This thesis examines the representations of private life, made with diverse technics and mediums (painting, drawing, engraving), between 1780 and 1815. At this time, intimacy shows an evolution in its semantic and its usage : from a limited meaning to the definition of the relationship between two individuals, gradually its signification approaches the notion of secrecy, and extends to everything we reveal only to small cercles of persons, to our heart of hearts, our emotional feelings, or sexuality. These semantic shifts come along a domestic, cultural and literary evolution, which support the idea of a decisive time period in the history of privacy. Therefore this work analyses the different ways of representing intimacy and questions whom those works of art were destined to and how they were received, in order to understand the habits and customs of the french society at the turning point of the 19th century. The study of the various methods of exhibiting the pictures as well as the analyse of the writing accounts of the art critics help to more fully understand the taste of the audience and the place the pictures had in the public expositions and in the private collections.</dcterms:abstract>
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