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<dc:title xml:lang="fr">Les fictions d'auteurs dans la littérature francophone et contemporaine d'Afrique noire, des Caraïbes et du Québec</dc:title>
<dcterms:alternative xml:lang="en">The fictions of authors in French and contemporary literature of Black Africa, in the Caribbean and Quebec</dcterms:alternative>
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<dc:subject xml:lang="fr">Littérature francophone d’Afrique noire</dc:subject>
<dc:subject xml:lang="fr">Littérature francophone des Antilles</dc:subject>
<dc:subject xml:lang="fr">Littérature francophone du Québec</dc:subject>
<dc:subject xml:lang="en">Fiction</dc:subject>
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<dc:subject xml:lang="en">Francophone literature of Black Africa</dc:subject>
<dc:subject xml:lang="en">Francophone literature of the Antilles</dc:subject>
<dc:subject xml:lang="en">French literature of Quebec</dc:subject>
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<dcterms:abstract xml:lang="fr">Qu’est-ce que « les fictions d’auteurs » ? Nous désignons par cette thématique un ensemble de textes littéraires qui met l’accent sur la fabrication d’un personnage écrivain et la réception du livre fictif. Ce phénomène est né dans la littérature française à la suite de deux publications consécutives sur la mort de l’auteur. Ces actes de décès de l’auteur ont donc engendré la parade de fabrication de l’auteur dans le roman français pour tenter de lui redonner vie. Ils ont introduit le principe de l’immanence entrainant l’effacement de l’auteur au profit de l’écriture. Ainsi, sans chercher à confronter les différents champs littéraires, cette thèse constitue un panorama des éléments d’identification d’un personnage écrivain dans le roman francophone et un moyen pour l’auteur de dévoiler aux lecteurs les dessous de son métier d’écrivain. Pour saisir l’ancrage de ce romancier fictif dans le texte francophone, cette étude s’appuie sur la sociologie littéraire et la poétique littéraire.</dcterms:abstract>
<dcterms:abstract xml:lang="en">What is "author's fiction"? By this theme we designate a set of literary texts that focuses on the making of a character writer and the reception of the fictional book. This phenomenon was born in French literature following two consecutive publications on the death of the author. These acts of death of the author have thus generated the author's production parade in the French novel to try to revive him. They introduced the principle of immanence leading to the erasure of the author in favor of writing. Thus, without trying to confront the different literary fields, this thesis constitutes a panorama of the identifying elements of a writer's character in the French-speaking novel and a means for the author to reveal to the readers the underpinnings of his writing profession. To capture the anchor of this fictional novelist in the French text, this study is based on literary sociology and literary poetics.</dcterms:abstract>
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