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<dc:title xml:lang="fr">Le ton de l'âme : l'image et l'imagination chez J.G. Hamann et J.G. Herder</dc:title>
<dcterms:alternative xml:lang="en">The tone of the soul : the image and the imagination in J.G. Hamann and J.G. Herder</dcterms:alternative>
<dc:subject xml:lang="fr">Image</dc:subject>
<dc:subject xml:lang="fr">Imagination</dc:subject>
<dc:subject xml:lang="fr">Connaissence</dc:subject>
<dc:subject xml:lang="fr">Langage</dc:subject>
<dc:subject xml:lang="fr">Ingenium</dc:subject>
<dc:subject xml:lang="fr">Hamann</dc:subject>
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<dc:subject xml:lang="en">Image</dc:subject>
<dc:subject xml:lang="en">Imagination</dc:subject>
<dc:subject xml:lang="en">Knowledge</dc:subject>
<dc:subject xml:lang="en">Language</dc:subject>
<dc:subject xml:lang="en">Ingenium</dc:subject>
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<tef:elementdEntree autoriteExterne="032597355" autoriteSource="Sudoc">Hamann, Johann Georg (1730-1788)</tef:elementdEntree>
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<tef:elementdEntree autoriteExterne="026919869" autoriteSource="Sudoc">Herder, Johann Gottfried von (1744-1803)</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Dans cette thèse nous abordons la relation entre l’image et l’imagination chez Johann Georg Hamann (1730-1788) et Johann Gottfried Herder (1744-1803). La particularité de leur approche est la mise en cause de l’étroite liaison de l’image et sensibilité et la notion de l’image comme langage. Dans les ouvrages qui constituent le corpus de notre travail, il est possible de discerner trois sphères de réflexion où l’image a une importance si déterminante : la religieuse, la philosophique et la rhétorique. Dans Aesthetica in nuce (1762) et Vom Erkennen und Empfinden der menschlichen Seele (1774, 1775, 1778) se trouvent les prémisses du tournant épistémique que vise la perspective réductionniste et rationaliste de la connaissance. Dans ce tournant l’image acoustique et l’imagination gagnent une place essentielle.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The tone of the soul. The image and the imagination in Johann Georg Hamann and Johann Gottfried Herder, addresses the relationship between image and imagination in the thought of J.G. Hamann and J.G. Herder. The singularity of the approach of both german philosophers is the close connection of the image and sensibility and the definition of the image as language. The work of Hamann Aesthetica in nuce (1762) and the work of Herder, Vom Erkennen und Empfinden der menschlichen Seele (1774, 1775, 1778) represent a new epistemological model that is based on the holistic view of human being. In this model, the image acoustic and the imagination becomen the tow arguments for the assumption that the images and the activity of imagination create all knowledge of the world.</dcterms:abstract>
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