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<dc:title xml:lang="fr">De la réception au renversement de la rhétorique dans le "Gorgias" de Platon</dc:title>
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<dc:subject xml:lang="fr">Rhétorique</dc:subject>
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<dc:subject xml:lang="fr">Gorgias</dc:subject>
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<dc:subject xml:lang="fr">Politique</dc:subject>
<dc:subject xml:lang="fr">Athènes</dc:subject>
<dc:subject xml:lang="fr">Démocratie</dc:subject>
<dc:subject xml:lang="fr">Justice</dc:subject>
<dc:subject xml:lang="fr">Éducation</dc:subject>
<dc:subject xml:lang="en">Rhetoric</dc:subject>
<dc:subject xml:lang="en">Dialectic</dc:subject>
<dc:subject xml:lang="en">Gorgias</dc:subject>
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<dc:subject xml:lang="en">Athens</dc:subject>
<dc:subject xml:lang="en">Democracy</dc:subject>
<dc:subject xml:lang="en">Justice</dc:subject>
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<dcterms:abstract xml:lang="fr">On considère souvent que le projet de fondation d’une rhétorique philosophique chez Platon ne s’effectue que dans les dialogues du Phèdre et des Lois. Pourtant, la puissance du Gorgias tient dans le fait qu’il articule à la fois l’appréhension du nouveau phénomène social, politique, éducatif que représente la rhétorique, sa critique et sa refondation par le philosophe idéal, Socrate, tout en apportant un nouvel éclairage à l’histoire d’Athènes. Le présent travail propose d’en faire l’étude en accordant une attention particulière au mouvement du dialogue et aux différents visages de la rhétorique qu’incarnent les personnages. On discernera trois étapes fondamentales dans le dialogue : la réception, la réfutation et la refondation dialectique de la rhétorique qui sont finalement reproduites à une échelle plus réduite et métaphorique dans le mythe eschatologique qui conclut l’œuvre.</dcterms:abstract>
<dcterms:abstract xml:lang="en">We often consider that the Platonic project of founding a philosophical rhetoric is carried out only in the Phaedrus and the Laws. However, the force of the Gorgias lies at once in its presentation of the new social, political, and pedagogical phenomenon of rhetoric, the dialogue’s critique and refoundation of this new phenomenon by the ideal philosopher, Socrates, as well as the light it sheds on the history of Athens. The following study proposes to examine these features of the Gorgias by affording a particular attention to the movement of the dialogue and to the different faces of rhetoric embodied by its characters. We will set out three fundamental steps in the dialogue: the reception, refutation, and dialectical refoundation of rhetoric, which are finally reproduced metaphorically, though on a smaller scale, in the eschatological myth that concludes the work.</dcterms:abstract>
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