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<dc:title xml:lang="fr">Métis et Métèque : postures littéraires chez Linda Lê et Henri Lopes</dc:title>
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<dc:subject xml:lang="fr">Posture</dc:subject>
<dc:subject xml:lang="fr">Ethos</dc:subject>
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<dc:subject xml:lang="fr">Présentation de soi</dc:subject>
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<dc:subject xml:lang="en">Posture</dc:subject>
<dc:subject xml:lang="en">Ethos</dc:subject>
<dc:subject xml:lang="en">Auctorial image</dc:subject>
<dc:subject xml:lang="en">Self-presentation</dc:subject>
<dc:subject xml:lang="en">Socio-literary</dc:subject>
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<tef:elementdEntree autoriteExterne="026994046" autoriteSource="Sudoc">Lopes, Henri (1937-2023)</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Le présent travail vise à parcourir l’itinéraire de la construction de la posture littéraire de deux écrivains, Henri Lopes et Linda Lê. La notion de posture est ici considérée en deux temps, afin d’expliquer le processus par lequel les deux écrivains se présentent respectivement en tant que métis et métèque : il s’agit d’abord de l’appréhension de l’écrivain d’une part, comme un corps, sujet de l’influence sociale, dans lequel les habitus sociolinguistiques s’intériorisent, et de l’autre, comme un agent situé dans l’institution littéraire, en interaction avec d’autres espaces, politique, éditorial et médiatique ; dans cette analyse, on peut constater que les deux écrivains construisent leur image auctoriale par ajustements, en sorte que cette dernière présente une cohérence et une pertinence avec les faits biographiques. En second lieu, nous remarquons que leurs projets littéraires tendent à participer, par le biais de la pratique autofictionnelle, à ce processus de la construction posturale, notamment en mettant en scène des héros qui ressemblent à leurs auteurs ; nous observons une convergence des deux auteurs dans la façon dont ils valorisent, dans leurs romans, une série de persécutions et de compensations, comme expérience existentielle de leurs personnages, représentant le Métis et le Métèque.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This thesis aims to examine the literary itinerary of two writers, Henri Lopes and Linda Lê. It uses the concept of posture to explain the process in which the two writers present themselves as Métis (half-breed) and Métèque (metic, alien), respectively. First of all, through the concept of posture, I analyze the writer both as a body that is subject to the social influence, interiorizing the sociolinguistic habitus, and as an agent that is situated in the literary institution, interacting with political, editorial and media spaces; the two writers build, by adjustments, their auctorial image which is coherent with and relevant to their biographical facts. Secondly, their literary projects tend to participate, through the autofictional practices, in this process of postural construction, especially by staging the protagonists who resemble their own authors. These two writers converge with one another in validating, in their novels, a series of persecutions and of compensations, as existential experiences of their protagonists, representing the métis and the métèque.</dcterms:abstract>
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