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<dc:title xml:lang="fr">Luchino Visconti et l'adaptation cinématographique d'œuvres littéraires : fondements de l'imaginaire et fatalité</dc:title>
<dcterms:alternative xml:lang="en">Luchino Visconti and the film adaptation of literary works : construction of imaginary and fate</dcterms:alternative>
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<dc:subject xml:lang="fr">Aristocratie</dc:subject>
<dc:subject xml:lang="fr">Beauté</dc:subject>
<dc:subject xml:lang="fr">Communisme</dc:subject>
<dc:subject xml:lang="fr">Dandysme</dc:subject>
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<dc:subject xml:lang="en">Dandyism</dc:subject>
<dc:subject xml:lang="en">Childhood</dc:subject>
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<dcterms:abstract xml:lang="fr">En Italie, le cinéma prend vraiment son essor peu avant la Première Guerre Mondiale. Cette nouvelle industrie y connaît un élan considérable grâce à la multiplication des salles obscures. Néoréalisme serait né entre le Toni de Jean Renoir et l’Ossessione de Luchino Visconti. Et c’est autour des adaptations cinématographiques d’ouvrages littéraires de Visconti que notre étude s’attache, au gré des focalisations, inspirations et transpositions du réalisateur milanais. Ainsi, l’œuvre colossale du comte de Lonate Pozzolo se mue en banque de données à la source inépuisable.</dcterms:abstract>
<dcterms:abstract xml:lang="en">In Italy, cinema evolved rapidly right before World War I. This new art also grew up thanks to the multiplication of movies theaters. Neo-realism might be born between Jean Renoir's Toni and Luchino Visconti's Ossessione. And this study is about the film adaptation of literary works of Visconti, following the focalizations, inspirations and transpositions of the director from Milan. This way, by analysing his incredible work of art, we will be able to observe how rich the Earl of Lonate Pozzolo's films are.</dcterms:abstract>
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