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<dc:title xml:lang="fr">Les mécanismes d'enchères et la formation des prix sur le marché de l'art</dc:title>
<dcterms:alternative xml:lang="en">Auction mechanisms and the formation of prices in the art market</dcterms:alternative>
<dc:subject xml:lang="fr">Prix de l’art</dc:subject>
<dc:subject xml:lang="fr">Enchères</dc:subject>
<dc:subject xml:lang="fr">Régressions hédoniques</dc:subject>
<dc:subject xml:lang="fr">Marché des originaux de bande dessinée</dc:subject>
<dc:subject xml:lang="en">Art prices</dc:subject>
<dc:subject xml:lang="en">Auctions</dc:subject>
<dc:subject xml:lang="en">Hedonic regressions</dc:subject>
<dc:subject xml:lang="en">Comic art market</dc:subject>
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<dcterms:abstract xml:lang="fr">Ce travail s’intéresse à la formation des prix sur le marché de l’art ainsi qu’aux mécanismes d’enchères grâce à une base de données originale collectée manuellement. Tout d’abord, nous étudions les déterminants du prix, mais aussi de la probabilité de vente des œuvres d’art. Nous mettons à jour un ensemble de déterminants de différentiation verticale en nous focalisant sur le marché des originaux de bande dessinée, particulièrement intéressant de par la nature hybride des biens échangés. Puis, nous montrons que le consensus sur des perceptions subjectives d’individus lambda (outsiders) et de collectionneurs (insiders) impacte les prix grâce à un questionnaire et un indice que nous avons construits. Ensuite, nous analysons le mécanisme d’enchères ascendantes « à la criée » et démontrons que le commissaire-priseur ainsi que la maison de ventes aux enchères ne sont pas des agents neutres car leurs interventions participent à la fixation des prix et au ratio prix réalisé-prix estimé. Enfin, nous examinons la dynamique des pas d’enchères et montrons que l’agressivité des enchères et le rythme à différents moments de la vente d’un lot impactent le prix final.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This dissertation studies the formation of prices on the art market and the auction mechanisms by using a unique hand-collected database. First, we examine different determinants of artworks’ prices but also of artworks’ probability of sale at auction. We bring to the literature a missing set of vertical differentiation determinants by focusing on the comic art market where the traded goods have a noteworthy hybrid nature. Also, we show that shared aesthetic judgments on liking and emotional responses to art from ordinary people (outsiders) and collectors (insiders) both have an impact on prices, by means of a questionnaire we created and of a consensus index we constructed. Then, we analyse oral outcry ascending auction mechanisms and we demonstrate that human auctioneers and auction houses are not neutral intermediary agents but that their behaviors and marketing efforts systematically influence the outcome of the sale, prices and the realized price-estimated price ratio. Finally, we explore whether and how the bid dynamics influence final prices and we show that aggressiveness of bids and the pace at various phases of the auction impact the price.</dcterms:abstract>
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