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<dc:title xml:lang="en">"Literature without borders" : the poetics and politics of passage in Philip Pullman's Multiverse ensemble</dc:title>
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<dcterms:abstract xml:lang="fr">Cette thèse se penche sur la trilogie A la croisée des mondes de Philip Pullman, ses romans courts Lyra et les oiseaux, Il était une fois dans le Nord et The Collectors (non-traduite en français), ainsi que son roman La Belle Sauvage. Ce travail envisage le corpus comme un espace créé par l'auteur pour illustrer sa poétique. La narration, complétée par l'acte de lecture, est présentée comme un processus actif grâce auquel le savoir et l'expérience sont transmis. L'ensemble de textes fait office de commentaire autoréflexif sur la littérature et les histoires en général, démontrant qu'elles ouvrent des passages à  la circulation du sens. Elles sont des outils d'enseignement, d'apprentissage, et d'acquisition d'expérience. Le corpus propose aux lecteurs des exemples diégétiques de l'acte de lecture et de ses effets, ainsi que des défis qui les forment à devenir des lecteurs plus compétents, capables de se confronter à  n'importe quel texte. Ainsi, il fonctionne comme une expérience formatrice, une initiation à la lecture active.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This dissertation is devoted to Philipp pullman's His Dark Materials trilogy, his novellas Lyra's Oxford, Once Upon a Time in the North and The Collectors, as well as his novel La Belle Sauvage. The texts are analysed together and referred to as Multiverse ensemble. This work studies the ensemble as a space created by the author to illustrate his poetics, storytelling, completed by the act of reading, is presented as a, active process thanks to which knowledge, wisdom and experience are passed on. The ensemble functions as a self-reflexive comment on literature and stories in general, showing them to be passages through which meaning can circulate , means of teaching, learning, and gaining experience. Readers are presented with diegetic examples of the act of reading and its effects, and with readerly challenges that train them to become more competent readers, who can then tackle any text. The ensemble thus works as a formative experience, an initiation to active reading.</dcterms:abstract>
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