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<dc:title xml:lang="fr">Entre obscurité et renommée : trajectoires et chemins de traverse des romans de l'"école Burney" (1778-1820)</dc:title>
<dcterms:alternative xml:lang="en">Between obscurity and fame : trajectories and byways of the 'Burney school' (1778-1820)</dcterms:alternative>
<dc:subject xml:lang="fr">Anonymat</dc:subject>
<dc:subject xml:lang="fr">Genre</dc:subject>
<dc:subject xml:lang="fr">Imitation</dc:subject>
<dc:subject xml:lang="fr">Littérature mineure</dc:subject>
<dc:subject xml:lang="fr">Matrimonialisation</dc:subject>
<dc:subject xml:lang="fr">Histoire culturelle</dc:subject>
<dc:subject xml:lang="en">Anonymity</dc:subject>
<dc:subject xml:lang="en">Gender</dc:subject>
<dc:subject xml:lang="en">Imitation</dc:subject>
<dc:subject xml:lang="en">Minor literature</dc:subject>
<dc:subject xml:lang="en">Matrimonialisation</dc:subject>
<dc:subject xml:lang="en">Cultural history</dc:subject>
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<tef:elementdEntree autoriteExterne="027325091" autoriteSource="Sudoc">Imitation (littérature)</tef:elementdEntree>
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<tef:elementdEntree autoriteExterne="02780870X" autoriteSource="Sudoc">Écrivains anglais</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Cette thèse met en regard les romans publiés sous l’étiquette by a lady entre 1778 et 1820, soit de lapublication d’Evelina de Frances Burney à celle de Country Neighbours de Sarah Harriet Burney.Qu'est-ce qui rendit la « marque de fabrique Burney » si attrayante pour les romancières en herbe surla courte période correspondant à un noyau de neuf romans parus entre 1785 et 1791 ? Notre étudepréconise la revalorisation du rôle de l'« école Burney » dans l'histoire littéraire en tant qu'oeuvrecollective unifiée par une signature « pseudo-anonyme », à la fois singulière et plurielle, mais surtoutpar un jargon romanesque qui témoigne de stratégies de résistance coopératives. Parce que cesromans brillèrent par leur « médiocrité », dans tout ce que le concept peut avoir de positif, nousaffirmons que ces écrivaines formaient une société de goût dont l'étude informe nos connaissancessur l'autorité littéraire, les pratiques d'anonymat, et le marché littéraire au tournant du XIXe siècle.Ces romans dits « mineurs » jouent collectivement un rôle majeur, non seulement dans ledéveloppement du roman mais aussi dans notre compréhension de l'auctorialité féminine.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This thesis brings together the novels published by a lady between 1778 and 1820, i.e. from thepublication of Frances Burney's Evelina to Sarah Harriet Burney's Country Neighbours. What madethe "Burney brand" so attractive to aspiring female novelists over a short period of time when ninenovels in the "Burney style" were published between 1785 and 1791? This research calls for arevaluation of the role of the "Burney school" in literary history as a collective work unified at onceby a singular and plural pseudo-anonymous signature and by a "novelistic slang" that testifies tocooperative strategies of resistance. By demonstrating that these novels were "mediocre", in apositive sense, this thesis argues that these writers formed a society of taste whose study informs ourknowledge of literary authority, anonymity practices, and the literary marketplace at the turn of the19th century. This research thus argues that these so-called "minor" novels collectively play a majorrole, not only in the development of the novel but also in our understanding of female authorship.</dcterms:abstract>
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