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<dc:title xml:lang="fr">Vers une dialectique de la métamorphose : les romans de science-fiction de Dietmar Dath : Die abschaffung der arten (2008) et Pulsarnacht (2012)</dc:title>
<dcterms:alternative xml:lang="en">Toward a dialectic of metamorphosis : Dietmar Dath’s science fiction novels : Die abschaffung der arten (2008) and Pulsarnacht (2012)</dcterms:alternative>
<dc:subject xml:lang="fr">Dietmar Dath</dc:subject>
<dc:subject xml:lang="fr">Die abschaffung der arten</dc:subject>
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<dc:subject xml:lang="fr">Posthumanisme</dc:subject>
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<dc:subject xml:lang="en">DIe Abschaffung der arten</dc:subject>
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<dcterms:abstract xml:lang="fr">Cette thèse s’intéresse à deux romans de science-fiction de l’auteur contemporain allemand Dietmar Dath. Auteur prolifique, très reconnu en Allemagne, Dietmar Dath a publié au cours de ces dernières années un nombre conséquent d’ouvrages et de fictions ayant trait au genre science-fictionnel. Les deux romans choisis présentent des mondes futurs où des êtres à la frontière entre humain, animal et machine ont, depuis quelques siècles, remplacé sur le devant de la scène une humanité agonisante (Die Abschaffung der Arten) et oubliée (Pulsarnacht). Ces fictions appellent à une réflexion sur le futur de l’humain à l’heure où celui-ci connaît un bouleversement profond. En effet, les récentes découvertes technologiques et scientifiques, ainsi que les questionnements sur l’écologie, amènent à une reconfiguration des paradigmes. L’anthropocentrisme s’efface au profit d’une conception du monde comme un réseau où tous les acteurs doivent être pris en compte. Dans ces histoires science-fictionnelles, précisément, la dichotomie nature/culture est dépassée : l’humain n’est plus en maîtrise d’une « nature » fantasmée. Ce travail a pour objectif d’analyser et de commenter, à l’aide de certains auteurs ayant pensé le posthumanisme (Donna Haraway, Cary Wolfe, N. Katherine Hayles, etc.), ces deux œuvres pour le moins foisonnantes d’un auteur encore peu connu en France et d’en souligner l’intérêt pour une réflexion sur une ère contemporaine où « les écrans sont [devenus] la nouvelle peau du monde » (Paul B. Preciado).</dcterms:abstract>
<dcterms:abstract xml:lang="en">This thesis focuses on two science-fiction novels of the contemporary German writer Dietmar Dath. Dietmar Dath is a prolific author and has published a significant number of books and fictions related to the SF genre in the last years. Both novels depict futuristic worlds where hybrid beings navigate at the border between human, animal and machine who have replaced a dying (Die Abschaffung der Arten) and forgotten (Pulsarnacht) humanity a few centuries ago. These fictions call for a reflection on the future of a humanity that is undergoing a profound upheaval. Indeed, recent technological and scientific discoveries, as well as questions about ecology, lead to a reconfiguration of paradigms. Anthropocentrism is fading away in favor of a conception of the world as a network where all actors must be taken into account. In these science-fictional stories, precisely, the nature/culture dichotomy is outdated: humans are no longer in control of a fantasized "nature". The aim of this work is to analyze and comment, using the concept of posthumanism (with Donna Haraway, Cary Wolfe, N. Katherine Hayles, etc.), these two novels, which are at the very least abundant, by an author who is still little known in France, and to underline their interest for a reflection on a contemporary era where "screens have become the new skin of the world" (Paul B. Preciado).</dcterms:abstract>
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