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<dc:title xml:lang="fr">Antonin Artaud, Fernando Pessoa : l'ailleurs comme poétique de l'intime</dc:title>
<dcterms:alternative xml:lang="en">Antonin Artaud, Fernando Pessoa : the elsewhere as poetics of the intimate</dcterms:alternative>
<dc:subject xml:lang="fr">Fernando Pessoa</dc:subject>
<dc:subject xml:lang="fr">Antonin Artaud</dc:subject>
<dc:subject xml:lang="fr">Álvaro de Campos</dc:subject>
<dc:subject xml:lang="fr">Poétique</dc:subject>
<dc:subject xml:lang="fr">Intime</dc:subject>
<dc:subject xml:lang="fr">Ailleurs</dc:subject>
<dc:subject xml:lang="fr">Hétéronyme</dc:subject>
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<dc:subject xml:lang="en">Fernando Pessoa</dc:subject>
<dc:subject xml:lang="en">Antonin Artaud</dc:subject>
<dc:subject xml:lang="en">Álvaro de Campos</dc:subject>
<dc:subject xml:lang="en">Poetics</dc:subject>
<dc:subject xml:lang="en">Intimacy</dc:subject>
<dc:subject xml:lang="en">Elsewhere</dc:subject>
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<tef:elementdEntree autoriteExterne="027336654" autoriteSource="Sudoc">Poétique</tef:elementdEntree>
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<tef:elementdEntree autoriteExterne="027275396" autoriteSource="Sudoc">Poésie -- Esthétique</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Ce travail a pour caractère principal d’interroger le poétique de Fernando Pessoa (1888-1935) et d’Antonin Artaud (1896-1948) à travers les polarités conceptuelles de l’ailleurs et de l’intime. Le geste scriptural confère sa forme à l’ailleurs, tandis que l’intime se saisit à la fois au coeur de l’infime et dans l’amplitude de l’immensité. Du cri d’« Ode maritime » d’Álvaro de Campos, à la grâce sauvage du Van Gogh le suicidé de la société, surgit un mouvement intérieur. Cependant, ce jaillissement se traduit dans la pluralité des formes esthétiques et des voix poétiques de nos auteurs. Ainsi, l’horizon qu’ils dessinent à partir de l’expérience de l’ailleurs approxime le champ de l’intime.</dcterms:abstract>
<dcterms:abstract xml:lang="en">He main aim of this work is to study the poetics of Fernando Pessoa (1888-1935) and Antonin Artaud (1896-1948) through the conceptual polarities of the elsewhere and the intimate. The scriptural gesture gives form to the elsewhere, while the intimate is captured both in the heart of the infinitesimal and in the vastness of immensity. From the scream of Álvaro de Campos’ “Ode maritime” to the wild grace of Van Gogh le suicidé de la société, an inner movement arises. However, this emergence is reflected in the plurality of our authors’ aesthetic forms and poetic voices. Thus, the horizon they draw from the experience of elsewhere approximates the field of the intimate.</dcterms:abstract>
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