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<dc:title xml:lang="fr">Philippe Grass, statutaire spiritualiste du XIXe siècle : sa vie, son œuvre, ses restaurations des statues de la cathédrale de Strasbourg et la fusion des principes opposés</dc:title>
<dcterms:alternative xml:lang="en">Philippe Grass (1801-1876), 19th century spiritualist statuary : his life, his work, his restorations of the statues of Strasbourg Cathedral and the fusion of opposing principles</dcterms:alternative>
<dc:subject xml:lang="fr">Statuaire</dc:subject>
<dc:subject xml:lang="fr">Cathédrale</dc:subject>
<dc:subject xml:lang="fr">Sculpture</dc:subject>
<dc:subject xml:lang="fr">Néoclassicisme</dc:subject>
<dc:subject xml:lang="fr">Romantisme</dc:subject>
<dc:subject xml:lang="fr">Néogothique</dc:subject>
<dc:subject xml:lang="fr">Spiritualisme</dc:subject>
<dc:subject xml:lang="fr">Éclectisme spiritualiste</dc:subject>
<dc:subject xml:lang="fr">Polarités antagonistes</dc:subject>
<dc:subject xml:lang="fr">Principes de restauration</dc:subject>
<dc:subject xml:lang="fr">Monuments historiques</dc:subject>
<dc:subject xml:lang="en">Statuary</dc:subject>
<dc:subject xml:lang="en">Cathedral</dc:subject>
<dc:subject xml:lang="en">Sculpture</dc:subject>
<dc:subject xml:lang="en">Neoclassicism</dc:subject>
<dc:subject xml:lang="en">Romantism</dc:subject>
<dc:subject xml:lang="en">Neo-gothic</dc:subject>
<dc:subject xml:lang="en">Spiritualims</dc:subject>
<dc:subject xml:lang="en">Spiritualist eclectism</dc:subject>
<dc:subject xml:lang="en">Antagonistic polarities</dc:subject>
<dc:subject xml:lang="en">Restoration principles</dc:subject>
<dc:subject xml:lang="en">Historical monuments</dc:subject>
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<tef:elementdEntree autoriteExterne="028202090" autoriteSource="Sudoc">Sculpture française</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Le statuaire Philippe Grass fait partie de ces artistes du XIXe siècle tombés dans l’oubli quasi général. Il appartient pourtant aux figures emblématiques de son temps, et son talent était reconnu par ses pairs et apprécié par ses compatriotes alsaciens. Si l’histoire de l’art ne mentionne que très rarement ce sculpteur et sa production abondante, c’est probablement à cause de ses restaurations des statues de la cathédrale de Strasbourg, et pour ne pas avoir voulu donner une nouvelle destinée à son art. En effet, il a préféré poursuivre la beauté idéale de la statuaire grecque en la conciliant au lyrisme des romantiques afin de fusionner les principes opposés. Il procède également ainsi pour ses statues de la cathédrale, en unissant la beauté des formes de la statuaire classique aux formes ascétiques et au sentiment chrétien des statues gothiques. Il produit également l’harmonie de style, en s’adaptant aux différentes périodes de l’édifice qu’il restaure. On constate du reste que cet artiste a su exprimer son intention artistique dans la plupart de ses œuvres, avec en tête de proue son Icare essayant ses ailes et son Erwin dit de Steinbach. C’est en effet sa volonté de rester dans la voie du juste milieu qui semble le guider.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The sculptor Philippe Grass is one of those 19th century artists who have fallen into almost general oblivion. Yet he belongs to the emblematic figures of his time, and his talent was recognized by his peers and appreciated by his Alsatian compatriots. If Art history only very rarely mentions this sculptor and his abundant production, it is probably because of his Strasbourg Cathedral statues restorations, and for not having wanted to give a new way to his art. Indeed, he preferred to pursue the perfect beauty of Greek statuary by reconciling it with the lyricism of the Romantics in order to merge the opposite principles. He also does this for his statues in the cathedral, by joining the beauty of the shapes of classical statuary with the ascetic forms and Christian impression of gothic statues. He also produces balanced style, by adapting himself to the different times of the edifice he is restoring. We notice, moreover, that this artist was able to express his artistic intention in most of his works, with first of all, his Icare essayant ses ailes and his Erwin dit de Steinbach. This is his will to keep going on the happy medium way that seems to guide him.</dcterms:abstract>
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