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<dc:title xml:lang="fr">Les représentations de l’altérité migrante originaire d’Afrique, du Proche et du Moyen-Orient dans la littérature espagnole 2000-2018</dc:title>
<dcterms:alternative xml:lang="en">The representations of migrant otherness from Africa, the Near East, and the Middle East in spanish literature (2000–2018)</dcterms:alternative>
<dc:subject xml:lang="fr">Altérité migrante</dc:subject>
<dc:subject xml:lang="fr">Littérature espagnole</dc:subject>
<dc:subject xml:lang="fr">Littérature arabe</dc:subject>
<dc:subject xml:lang="fr">Théâtre</dc:subject>
<dc:subject xml:lang="fr">Roman</dc:subject>
<dc:subject xml:lang="fr">Engagement</dc:subject>
<dc:subject xml:lang="en">Migrant otherness</dc:subject>
<dc:subject xml:lang="en">Spanish literature</dc:subject>
<dc:subject xml:lang="en">Arabic literature</dc:subject>
<dc:subject xml:lang="en">Theater</dc:subject>
<dc:subject xml:lang="en">Novel</dc:subject>
<dc:subject xml:lang="en">Civic engagement</dc:subject>
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<dcterms:abstract xml:lang="fr">Cette recherche explore le genre théâtral et ses ponts avec le genre romanesque dans la représentation de l’altérité migrante dans la littérature espagnole contemporaine entre 2000 et 2018. En nous concentrant sur les migrations africaines et proche et moyen-orientales, qui ont marqué les côtes espagnoles dès les années 1990, nous comparons l’évolution de la figure de l’altérité migrante entre les années 1990 et 2000, marquée par un tournant dramaturgique et littéraire. L’analyse s’élargit aux dramaturges de langue arabe ayant vécu ce phénomène migratoire, interrogeant la manière dont le théâtre et le roman construisent la figure de l’altérité migrante et cristallisent les stéréotypes alimentés par nos sociétés. Ces œuvres, loin d’une simple mimésis, questionnent le regard social façonné par les médias et offrent un espace pour examiner les contours de l’altérité migrante, ainsi que les stratégies littéraires et dramatiques qui la mettent en débat. Nous questionnons enfin l’impact de ces représentations sur la société espagnole, confrontée depuis les années 1990 à des flux migratoires massifs, et sur les nouvelles lois qui en découlent (Loi organique 4/2000 et ses modifications successives). En dernière instance, cette littérature dramatique nous permet d'évaluer en quoi elle participe à la construction de la citoyenneté et de l’engagement civique, en offrant un prisme critique sur la figure de l’Autre.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This research explores the theatrical genre and its connections with the novelistic genre in the representation of migrant otherness in contemporary Spanish literature between 2000 and 2018. Focusing on African and Middle Eastern migrations that have reached Spanish shores since the 1990s, we compare the evolution of the figure of migrant otherness between the 1990s and 2000s, marked by a dramaturgical and literary shift.The analysis extends to Arabic-speaking playwrights who have experienced this migratory phenomenon, questioning how theater and the novel construct the figure of migrant otherness and crystallize the stereotypes perpetuated by our societies. These works, far from mere mimesis, challenge the social gaze shaped by the media and provide a space to examine the contours of migrant otherness, as well as the literary and dramatic strategies that bring it into debate.Finally, we examine the impact of these representations on Spanish society, which has been confronted with massive migratory flows since the 1990s, and on the new laws that have emerged in response (Organic Law 4/2000 and its successive amendments). Ultimately, this dramatic literature allows us to assess how it contributes to the construction of citizenship and civic engagement by offering a critical lens on the figure of the Other.</dcterms:abstract>
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