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<dc:title xml:lang="en">In search of meaning in a world of images : the photographic imaginaries of Willem Frederik Hermans, Wright Morris, and Michel Tournier</dc:title>
<dcterms:alternative xml:lang="fr">En quête de sens dans un monde d’images : les imaginaires photographiques de Willem Frederik Hermans, Wright Morris et Michel Tournier</dcterms:alternative>
<dc:subject xml:lang="fr">XXe siècle</dc:subject>
<dc:subject xml:lang="fr">Littérature</dc:subject>
<dc:subject xml:lang="fr">Photographie</dc:subject>
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<dc:subject xml:lang="fr">Willem Frederik Herman</dc:subject>
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<dc:subject xml:lang="fr">Michel Tournier</dc:subject>
<dc:subject xml:lang="en">20th century</dc:subject>
<dc:subject xml:lang="en">Literature</dc:subject>
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<dc:subject xml:lang="en">Willem Frederik Hermans</dc:subject>
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<tef:elementdEntree autoriteExterne="027328732" autoriteSource="Sudoc">Littérature -- 20e siècle</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Cette thèse propose une analyse comparative des interactions entre littérature et photographie dans les œuvres de trois auteurs du XXe siècle : Willem Frederik Hermans (1921-1995), Wright Morris (1910-1998) et Michel Tournier (1924-2016). Bien que les auteurs se montrent pleinement conscients des limites de la photographie — points débattus depuis l’invention du médium au XIXe siècle et qui continuent d’évoluer — ils ont néanmoins accordé à la photographie une place importante dans leur vie et leur œuvre. Cette contradiction manifeste est explorée à travers trois thèmes distincts mais complémentaires qui émergent de leurs œuvres. À travers un corpus d’œuvres littéraires, ainsi que de « photo-textes » qui juxtaposent photos et textes, cette étude emploie plusieurs approches méthodologiques, alliant l’analyse textuelle, visuelle et photo-textuelle. Le rôle ambivalent de la photographie dans leurs œuvres, tant dans sa fonction représentative que dans son usage, positionne Hermans, Morris et Tournier comme des figures du modernisme tardif.</dcterms:abstract>
<dcterms:abstract xml:lang="en">This thesis offers a comparative analysis of the interactions between literature and photography in the works of three twentieth-century authors: Willem Frederik Hermans (1921-1995), Wright Morris (1910-1998), and Michel Tournier (1924-2016). Despite the authors’ clear awareness of photography’s limitations—points of enduring debate since the medium’s invention in the nineteenth century that continue to evolve—they nonetheless accorded photography an integral place in their lives and work. This apparent contradiction is explored through three distinct yet interconnected themes that emerge in the authors’ work. By examining a corpus of literary works, alongside “photo-text” works that explicitly juxtapose photos and text, this study employs a range of methodological approaches, combining textual, visual, and photo-text analysis. The ambivalent role of photography in their work, both in its representational function and in its use, positions Hermans, Morris, and Tournier as late modernist authors.</dcterms:abstract>
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